Chris Marker (Sergei Murasaki) présente son exposition dans l’Ouvroir
d’autres photos ici / more photos here
(Sergei Murasaki = Chris Marker) Les parties en gras et italiques sont des ajouts ultérieurs.
[16:22] Eupalinos Ugajin: let’s check so
[16:22] Sergei Murasaki: Here, a bow tro the Grinning Cat
[16:23] Sergei Murasaki: Screening room ?
[16:23] Chiyushi Himanez: shall we go to the screening room?
[16:24] Sergei Murasaki: Sorry, not enough seats for everyone
[16:24] kino Svoboda: no problem
[16:24] Chiyushi Himanez: chris we should split right after this– into the museum…
[16:25] Sergei Murasaki: Etoile, you start ?
[16:25] Chiyushi Himanez: SErgei how did you meet LEILA?
[16:26] Sergei Murasaki: She came to my place and looked interested
[16:26] Chiyushi Himanez: what did guillaume think…
[16:26] Sergei Murasaki: Then I discovered she frightened the cat
[16:26] Sergei Murasaki: And she did it for me : first take
[16:26] Pixels Sideways: :)
[16:27] Vivre Mai: lol
[16:27] Chiyushi Himanez: She’s a natural!
[16:27] Izutsu Firehawk: fantastic music!
[16:27] Sergei Murasaki: He was already in Cat’s paradise. He approved
[16:27] Chiyushi Himanez: Sergei– let’s go into the museum
[16:28] Greng Straulino: don’t mind me… i just took off my pants to get comfy for this kitty movie!!
[16:29] Chiyushi Himanez: SERGEI– CAN YOU TELL US ABOUT THE TREE?
[16:29] Sergei Murasaki: Do you see the photos ?
[16:30] Chiyushi Himanez: YES- Can you tell us about the tree?
[16:30] Eloise Spad: what tree,
[16:30] Chiyushi Himanez: SHALL WE LOOK AT THE PHOTOS?
[16:31] Sergei Murasaki: Place de la République is the traditional gathering point for the demos
[16:32] kino Svoboda: What is context of the first photo of the tree
[16:32] kino Svoboda: ?
[16:32] Sergei Murasaki: I took the first photo in ’62. Tense atmosphere
[16:32] Sergei Murasaki: 8 dead -one million came to the funeral
[16:33] Sergei Murasaki: In 2002 I xas at the same place
[16:33] Sergei Murasaki: and suddenly the size of the tree jumped to my eye
[16:33] Chiyushi Himanez: and what about these imaes that you have paired together– like this one?
[16:33] Sergei Murasaki: 40 years of my life were crafted in this tree
[16:33] Sergei Murasaki: Like the slice of redwood in Vertigo
[16:34] Sergei Murasaki: You know, I have a problem : for the firt time, I don’t see the images here
[16:34] Chiyushi Himanez: let’s look at one of the images that move.
[16:34] Sergei Murasaki: They have disappear’d like the frescoes in Fellini Roima
[16:34] Etoile Setsuko: We can see them
[16:34] Chiyushi Himanez: not for us…
[16:35] Sergei Murasaki: Here I see baguely Simone Signoret
[16:36] Sergei Murasaki: Vaguely
[16:36] Chiyushi Himanez: when was this taken?
[16:36] kino Svoboda: what simone means to you, Serguei?
[16:36] Sergei Murasaki: Simone was like my sister. We went to school together
[16:36] Sergei Murasaki: Here she plays in THE CONFESSION Costa Gavras
[16:37] Chiyushi Himanez: how about the images that move?
[16:37] Sergei Murasaki: Which ones ?
[16:38] kino Svoboda: Did you played together in the theater? You and Simone?
[16:38] Chiyushi Himanez: switching between a demo and a still from sans soleil behind you.
[16:38] Sergei Murasaki: Hete May ’68
[16:39] Etoile Setsuko: Did you chose all the pairings?
[16:39] Sergei Murasaki: And a serne beauty from Cape Verde
[16:39] kino Svoboda: Why may 68 and Cuba?
[16:39] Sergei Murasaki: srene
[16:39] kino Svoboda: sory…
[16:39] Sergei Murasaki: serene, goddamn
[16:39] Chiyushi Himanez: let’s go to the books.
[16:40] Chiyushi Himanez: can you tell us about the PETITE PLANETE book series that you famously edited?
[16:41] Chiyushi Himanez: Sergei- let’s talk about the PETITE PLANETE BOOKS.
[16:41] Sergei Murasaki: The con,cept came from the will to contradict the traditional guide books
[16:41] Sergei Murasaki: salways somewhat pompous
[16:42] Sergei Murasaki: I inserted also some traits of movie editing, that’sall
[16:42] kino Svoboda: What about the Petit planete MARS, that appeared in Toute la memoire du monde?
[16:42] Chiyushi Himanez: traits of movie editing?
[16:43] Sergei Murasaki: One the book Russia here, you see Guillaume at the Lenin’ds mausoleum
[16:43] dowland Ghost: If there were music playing, what would it be?
[16:43] Sergei Murasaki: That’s an idea of Max
[16:43] Sergei Murasaki: You mean with the books
[16:43] khepri Fallen: It would be violoncelle
[16:44] dowland Ghost: In this room.
[16:44] Haveyouseen Lubitsch: ok Kurie, ciao
[16:44] Chiyushi Himanez: what about the covers? was this your idea?
[16:44] Sergei Murasaki: Escales, by Jacques Ibert
[16:44] Sergei Murasaki: I doubt you know it
[16:44] Chiyushi Himanez: No i don’t i confess
[16:44] dowland Ghost: Unfortunately, no.
[16:44] Sergei Murasaki: Yes, close-ups
[16:45] Chiyushi Himanez: were these portraits you took yourself?
[16:45] Sergei Murasaki: That lokks pretty obvious today, but tyhen they put all sort of unnecessary things on covers
[16:45] Etoile Setsuko: Let’s look at the series of the covers from our keynote file
[16:46] Etoile Setsuko: they are beautiful!
[16:46] Chiyushi Himanez: and now let’s go to SILENT MOVIE.
[16:47] Chiyushi Himanez: SERGEI BEFORE WE WATCH SILENT MOVIE- CAN YOU TELL US ABOUT THE BASIC CONCEPT OF THIS PIECE- VIDEO TO CELERATE CINEMA’S 100TH YEAR?
[16:47] Sergei Murasaki: I took the pretext of the 100th anniversary to celebrate the BLACK AND WHITE
[16:48] Sergei Murasaki: all my childhood memories of cinema as I discovered it
[16:48] Sergei Murasaki: the rest came by itself, as usual
[16:49] Etoile Setsuko: Let’s watch Silent Movie
[16:49] Chiyushi Himanez: let’s watch it now.
[16:49] Etoile Setsuko: We are now watching Silent Movie in the HFA screening room
[16:49] Chiyushi Himanez: we’re watching it!
[16:50] Sergei Murasaki: I guess I don’t have enough memory on my laptop to accomadate so many people at once
[16:50] Etoile Setsuko: We are not having problems here
[16:50] Chiyushi Himanez: that’s OK. really.
[16:50] Etoile Setsuko: We can see everything
[16:51] Sergei Murasaki: that’s xhy I guess someimages disappear, and some of you have (sorry) no clothes at all
[16:51] Vivre Mai: lol
[16:51] Mariko Woodford: Everything looks fine on our end
[16:51] Humming Pera: :-)
[16:51] Chiyushi Himanez: don’t worry– i will ask you about the posters when the film stops in 2 minutes.
[16:52] Chiyushi Himanez: everthing is running smooth from here, just a bit slow with the crowd.
[16:53] Chiyushi Himanez: SERGEI- WE ALSO HAVE A SERIES OF POSTERS- WHAT CAN YOU TELL US ABOUT THESES?
[16:53] Sergei Murasaki: I hope some people recognize old movies they saw long ago, didn’t they ?
[16:53] Chiyushi Himanez: we will see them now!
[16:54] Sergei Murasaki: The plain fact that I made them up shoiuldn’t impeach memory to work
[16:54] Sergei Murasaki: Memory was given to man for lying
[16:54] Vivre Mai: :-)
[16:55] Etoile Setsuko: We are still looking at them here
[16:55] Etoile Setsuko: O
[16:55] Sergei Murasaki: You can see them better with the Moiuse look, if you know
[16:55] Sergei Murasaki: Moude
[16:55] Chiyushi Himanez: is this how you rememberd these films?
[16:55] Izutsu Firehawk: mouse
[16:56] Sergei Murasaki: Mouse -sorry
[16:56] Chiyushi Himanez: asfilm- montages?
[16:56] Sergei Murasaki: When you watch on television a film you saw long ago
[16:57] Sergei Murasaki: It happens tyhat you rejoice to recognize parts of it
[16:57] Sergei Murasaki: But to me at last, it often happens that i REMEMBERED thiong which are not there
[16:57] Sergei Murasaki: things
[16:57] Chiyushi Himanez: this is memory- no- it works in fragments…broken
[16:58] dowland Ghost: And there’s always what you can’t imagine you didn’t se the first time.
[16:58] Sergei Murasaki: Memory is made to tell fairy tales
[16:58] kino Svoboda: and cinema?
[16:58] Chiyushi Himanez: is LA JETEE A FAIRY TALE?
[16:58] Sergei Murasaki: You could say that
[16:58] Chiyushi Himanez: let’s go downstairs
[16:59] Chiyushi Himanez: tell us about this gallery of illustrious directors.
[16:59] Sergei Murasaki: Tarkovsky The Greatest
[17:00] Sergei Murasaki: I went to se him oin location in Sweden
[17:00] Sergei Murasaki: I tedted my first video camera
[17:00] Sergei Murasaki: I took some parts of his directing
[17:01] Sergei Murasaki: When he came to Paris as a sick man I continued
[17:01] Sergei Murasaki: I don’t remember we did talk about it or planned anything
[17:01] Sergei Murasaki: I was there I filmed It seemed natural
[17:01] Sergei Murasaki: and I did it until his death bed
[17:02] Sergei Murasaki: As if te God HE believed in had driven me to leave a testimony
[17:02] Chiyushi Himanez: you were speaking about the ZONE even before Tarkovsky… an incredible sychronicity
[17:02] Sergei Murasaki: Well, Zone is a common word. You find it in Apollinaire
[17:03] Chiyushi Himanez: A-ha!
[17:03] Chiyushi Himanez: and onto WENDERS
[17:03] Sergei Murasaki: Here Wim proudly wears a Guillaume t-shirt
[17:03] Chiyushi Himanez: nice!
[17:03] Sergei Murasaki: in the Northern Ftestivazl in Finland
[17:03] koala Markus: like us
[17:04] Chiyushi Himanez: the only festival you ever attended, no?
[17:04] Sergei Murasaki: As a friend of Angles he was a good recruit for the Cats Internationale
[17:04] Sergei Murasaki: An-gels
[17:04] kino Svoboda: how was the encounter with Wenders in la jetée Bar?
[17:05] GEE: Terry Gilliam in Sodankylä, Finland, where the sun never sets
[17:05] GEE: Artavazd Pelechian, the forgotten giant of Russian cinema
[17:05] Sergei Murasaki: La Jetee is the meeting place for filmmahersd arounf tyhe world
[17:06] Sergei Murasaki: Eah one draws a cat on a whisky bottle
[17:06] Eupalinos Ugajin: talking of movies I was wondering if you had seen « Kin Dza Dza » by Georgi Daneliya ?
[17:06] Sergei Murasaki: We havce the Coppola bottle, the Jarmusch bottle the Herzog bottle
[17:06] Sergei Murasaki: One day you should make an exhibition of them
[17:06] Chiyushi Himanez: gladly!
[17:06] Chiyushi Himanez: and who is this here?
[17:07] GEE: Artavazd Pelechian, the forgotten giant of Russian cinema
[17:07] Sergei Murasaki: Do you people all know POelechian ?
[17:07] Chiyushi Himanez: NO!
[17:07] Eupalinos Ugajin: yes
[17:07] Sergei Murasaki: Pelechian
[17:07] Esther Timeless: yes
[17:07] Chiyushi Himanez: He remains unknow in the U
[17:07] Haveyouseen Lubitsch: yes they are great !
[17:07] Chiyushi Himanez: S
[17:07] Eupalinos Ugajin: just saw the seasons once more at « Bouffes du Nord »
[17:08] Haveyouseen Lubitsch: Memoriy and politic and cinema
[17:08] Chiyushi Himanez: what can you tell us?
[17:08] Sergei Murasaki: He’s the last living inheritotr of the great Russian dynasty
[17:09] Sergei Murasaki: Eisenstein, Dozhenko, Barnet…
[17:09] koala Markus: does he make films again
[17:09] Vivre Mai: he is armenian isn’t he?
[17:10] Sergei Murasaki: Under stalinism he could mlanage to make films, with much suffering
[17:10] Sergei Murasaki: Since democracy, non
[17:10] Sergei Murasaki: none
[17:10] Chiyushi Himanez: when did you first see SOVIET films- the silent classics so important to your work?
[17:11] Sergei Murasaki: First in the film clubs, then I was often in Russia
[17:11] kino Svoboda: What could you tell us about medvedkine syndrome?
[17:11] Sergei Murasaki: To make THE LAST BOLSHEVIK I had access to the state archives -a dream
[17:11] Sergei Murasaki: and witrh a cat on my knees
[17:11] Chiyushi Himanez: is this where you first started to think about montage- seeing soviet films in the film clubs?
[17:12] Sergei Murasaki: Definitely Vertov was my teacher
[17:12] Chiyushi Himanez: what did you learn from vertov?
[17:12] Sergei Murasaki: The only teacher I ever had, by the way
[17:13] Etoile Setsuko: Hey, how about Guillaume?
[17:13] Sergei Murasaki: That, mu deah, would take a whole evening
[17:13] Chiyushi Himanez: and costa-gavras the great, shouldering the camera, and the weight of the world…
[17:14] Sergei Murasaki: Guillaume wasn’t a teacher-everything, except just that
[17:14] Chiyushi Himanez: and costa-gavras?
[17:14] kino Svoboda: What about the long sequence of interviews with exiled latin americans with gravas could you tell us a little about it?
[17:14] Sergei Murasaki: Joris Ivens, the Flying Dutchman
[17:15] Chiyushi Himanez: let’s go to the HOLLOW MEN. Can you speak about ELIOT who is so important to your work?
[17:15] Sergei Murasaki: What sequence ?
[17:15] kino Svoboda: not a sequence in especial, but the research?
[17:16] Chiyushi Himanez: sergei we are watching the HOLOW MEN now.
[17:16] kino Svoboda: What does it mean for you?
[17:16] kino Svoboda: Then after you did L~ambassade?
[17:17] Chiyushi Himanez: we are watching the hollow men now.
[17:17] Sergei Murasaki: Sorry, you mentioned THE HOOLOW MEN ?
[17:17] Chiyushi Himanez: will be done soon. and then we can speak about T.S. ELIOT…
[17:19] Sergei Murasaki: YOU LEVITATE ?
[17:19] Sergei Murasaki: c
[17:19] dowland Ghost: What are you working on these days, Sergei?
[17:20] Durgnat Foxtrot: Sergei, have you seen the bande annonce for Godard’s film SOCIALISME?
[17:23] Sergei Murasaki: 6Hey Milla how’re you doing ?
[17:23] Etoile Setsuko: We’re almost finished watching hollow men
[17:23] JS Meridoc: you talking to me?
[17:23] Millagrosa Vella: hello cher Sergei
[17:24] JS Meridoc: i’ve spent half the evening undewater
[17:25] Sergei Murasaki: Looks like the subway at 6pm
[17:25] kino Svoboda: What are your memories about the great Bazin and the work on Travail et culture?
[17:25] Millagrosa Vella: ahahhahhaha
[17:25] Sergei Murasaki: Another full day for that
[17:26] Sergei Murasaki: This system of typing is decidedly not suited to havce a real conversation
[17:26] Etoile Setsuko: It’s fine!
[17:26] Sergei Murasaki: I see you’ve been canonized ?
[17:27] kino Svoboda: ok, thank you… But when could we talk about it?
[17:27] Millagrosa Vella: yesss
[17:27] Pixels Sideways: :)
[17:27] Millagrosa Vella: oui
[17:27] Vivre Mai: I heard that ouvroir is to be taken down some time soon. Is that true?
[17:27] Millagrosa Vella: eu sou milagrosa
[17:27] Millagrosa Vella: santa milagrosa
[17:27] Sergei Murasaki: in a third life, I’m afraid
[17:28] Millagrosa Vella: nooooo
[17:28] Millagrosa Vella: we are here
[17:28] Vivre Mai: Do your avatars know where they will be going next?
[17:28] Eupalinos Ugajin: didn’t you want ouvroir to be something like the invention of Morel ?
[17:31] Pixels Sideways: Have you considered exploring filmmaking in VR aka « machinima? »
[17:32] Sergei Murasaki: I have already lors of ryshes on my trips in SL what I need is again an extra life to wotk on’em
[17:32] Etoile Setsuko: almost over — maybe a minute
[17:32] Pixels Sideways: or a good editorial assistant :)
[17:33] Sergei Murasaki: BUT i have seen a few SL movies -quite stimulating
[17:34] Pixels Sideways: Are you « rushes » more like travel films or ar they based on pre-defined narratives — like scripted work?
[17:35] Sergei Murasaki: No -plain rushes as I did when I was travelling in real life
[17:35] Chiyushi Himanez: SERGEI- can you tell us about the photographs used in THE HOLLOW MEN? How/where did you find these?
[17:35] Sergei Murasaki: But a scripted movie would be a real adventure
[17:35] Pixels Sideways: indeed!
[17:36] Sergei Murasaki: IIn HOLLW MEN you have all sorts of material : video stills from television; postcards, family photographs
[17:37] Sergei Murasaki: those of the soldiers at the hispoital are from my father’s album
[17:37] Sergei Murasaki: and also bits and pieces I found on the Net
[17:37] Sergei Murasaki: I reworked all that with Photoshop
[17:37] GEE: Owls at Noon Prelude: The Hollow Men
[17:37] Chiyushi Himanez: WW1 is such an important touchstone for the film and for your work in general, it seems. you must have heard many stories as a child
[17:38] Sergei Murasaki: Not directly -soldiers didn’t talk so much about hell -like deportees in WWII
[17:39] Sergei Murasaki: but I saw all the great silent war films
[17:39] Sergei Murasaki: and I saw grown-up people fainting in the cinema for they couldn’t bear the memory
[17:39] kino Svoboda: How was your participation in the resistance?
[17:39] Chiyushi Himanez: and yet WINGS stated your love of cinema didn’t it?
[17:40] Sergei Murasaki: and aviation also
[17:40] Chiyushi Himanez: shall we go to the XPLUGS?
[17:40] Chiyushi Himanez: is this guillaume?
[17:41] Sergei Murasaki: here you should use the Mouse Look
[17:41] Chiyushi Himanez: which of the images would you like to speak about?
[17:41] Sergei Murasaki: I’d prefer you to ask
[17:42] Chiyushi Himanez: let’s talk about guillaume!
[17:42] Chiyushi Himanez: in the gallery. did he love art?
[17:42] Etoile Setsuko: We’ve got all night
[17:42] Sergei Murasaki: He was a bit Duchamp-esque
[17:42] kino Svoboda: Why Malraux with Goya with the title por un revolucion]ãrio??
[17:42] Chiyushi Himanez: in what way?
[17:43] Sergei Murasaki: He loved art in the sectret of his soul
[17:43] Sergei Murasaki: he hated the art world and the hype
[17:43] Chiyushi Himanez: let’s go the island– you know where- so we can take audience questions!
[17:43] Pixels Sideways: yay for Duchampesque :)
[17:44] Chiyushi Himanez: can you turn down your halo?
[17:44] Sergei Murasaki: OK -perhaps all of you won’t follow so… thank you and Merry Xmas
[17:47] Etoile Setsuko: We’re taking questions now from the audience
[17:47] Mariko Woodford: What are some of the limitations of SL?
[17:47] Mariko Woodford: Thinkgs you would like to do but can’t?
[17:47] Sergei Murasaki: Talk wd be a good thing, instead of this damn typing where I misspelle
Ajout d’Eupalinos : il est tout à fait possible d’utiliser un micro dans Second Life. Un oubli ?
[17:48] Sergei Murasaki: But mainly : having the posibility to briung objects -images for instance- from RL
Ajout d’Eupalinos : il est là aussi possible d’importer des images dans SL, mais Marker doit penser à autre chose : quoi ?
[17:48] kino Svoboda: Why Malraux with Goya with the tittle por un revolucioniãrio in the X plugin?
[17:49] Etoile Setsuko: We’ll take another question now
[17:49] Mariko Woodford: Next question:
[17:49] Vivre Mai: what are your strongest memories?
[17:49] Sergei Murasaki: It’s an allusion to the real Giya etching « por liberal »
[17:49] kino Svoboda: but why Malraux?
[17:50] Mariko Woodford: What was your involvement with M. Chat?
[17:50] Sergei Murasaki: So I mix Malraux, the spanish war and the memory of Spain in anutshell
[17:50] Sergei Murasaki: I started filming cats on the roofs, wondering who was behind
[17:51] Sergei Murasaki: Later on we met, and we became friendfs
[17:51] Vivre Mai: What makes a cat purr?
[17:51] Sergei Murasaki: As I don’t travel anymore, I send him to present the film
[17:51] Etoile Setsuko: Let’s take another question now
[17:51] Mariko Woodford: Another question from the audience
[17:52] kino Svoboda: why don’t you travel anymore?
[17:52] Sergei Murasaki: and so jow there are Grinning Cats in Hoingkob, Macau, Beijin, Seoul
[17:52] Mariko Woodford: What are the possibilities you see for Machinima?
[17:52] Sergei Murasaki: The Cat went asiatic
[17:52] Pixels Sideways: lol
[17:52] kino Svoboda: there are some cats in Brazil too
[17:53] Sergei Murasaki: Hadn’t time to really test it, buy all that will be used, no doubt
[17:53] Sergei Murasaki: Right
[17:53] Mariaka Nishi: bonsoir ;-))))
[17:53] Etoile Setsuko: Let’s take another question
[17:53] Mariko Woodford: Another questions from the crowd
[17:53] Sergei Murasaki: bonsoir
[17:54] Sergei Murasaki: xas it a CROWD ?
[17:54] Mariko Woodford: Could you talk a little about the title of the exhibition A Farewell to Cinema?
[17:54] Pixels Sideways: :)
[17:54] Mariko Woodford: In the original French
[17:54] kino Svoboda: there is an image of people passing stones in Le fond de l’air est rouge , what does it mean?
[17:54] Sergei Murasaki: A FAREWELL TO MOVIES, TO BE EXACT
[17:54] Mariko Woodford: Yes – an excellent audience
[17:55] kino Svoboda: that repeats in sans soleil and loin du vietnam??
[17:55] Mariko Woodford: A clarification
[17:55] Mariko Woodford: What would cinematography without film be?
[17:55] Sergei Murasaki: I considered healthy to draw a line between te so)called filmmaker (what I never thought I was) and the hunfry beginner I am in the new fields
[17:55] Sergei Murasaki: hungry
[17:56] Sergei Murasaki: What we do, for one
[17:56] Sergei Murasaki: But I also quoted Baudelaire, who wrote in hids Constitutionj
[17:56] Sergei Murasaki: the right to contradict oneself
[17:57] Mariko Woodford: Ready for another one?
[17:57] Mariko Woodford: What do you think of our new President’s performance in his first 100 days?
[17:57] GreenTea(Matcha): Mmmhh… enjoy the best green tea Izutsu Firehawk
[17:57] Sergei Murasaki: He did damn well, if you want my opinion
[17:58] Etoile Setsuko: You were the one who said he would win two years ago!
[17:58] Sergei Murasaki: With all the traps they set for him, he remains incredibly solid
[17:58] Mariko Woodford: Everyone is curious to know how much time you spend in SL?
[17:58] Sergei Murasaki: Not much, unfortunately
[17:59] Sergei Murasaki: Too mluch to do in this other side of the world called reality
[17:59] Mariko Woodford: Will you remain active in SL after the exhibit is over?
[17:59] Sergei Murasaki: I’m looking for new ways to use the avatarts
[17:59] Mariko Woodford: Such as?
[18:00] Sergei Murasaki: Imagine that we manage to program them with all our memoris
[18:00] Sergei Murasaki: and that once thay may go by thgemselves
[18:00] Sergei Murasaki: even wenwe’re not here
[18:00] Pixels Sideways: so major A.I. direction
[18:00] Sergei Murasaki: even when we will not be aty all
[18:00] Sergei Murasaki: We will leave them behind like ghosts
[18:00] kino Svoboda: what the memory of Paul Cebe represents for art and social mouvement?
[18:01] Izutsu Firehawk: maybe the avatars have already programmed us with their memories.
[18:01] Sergei Murasaki: And after a while nobody coulod telle il the avatar he is speaking with`
[18:01] Sergei Murasaki: is dead or alive
[18:01] Eupalinos Ugajin: If Morel’s Invention was invented would you record severall bits of your life or a single period ?
[18:01] Pixels Sideways: that’s debatable even now :)
[18:01] Pixels’s translator: c’est discutable, même maintenant:)
[18:02] Sergei Murasaki: That will be -finally- the invention of Morel realized
[18:02] Vivre Mai: scary!
[18:02] Sergei Murasaki: I would INVENT a new life
[18:02] Sergei Murasaki: I told you memory is made for lying
[18:02] Pixels Sideways: There are several people working on A.I. configs for SL avatars –
[18:02] Mariko Woodford: Can you tell us about your new show in New York?
[18:03] Sergei Murasaki: There is even a videogame where you’re supposed to pass the flu ao as many persons as possible
[18:03] Izutsu Firehawk: i have seen some avatars with swine flu
[18:04] Achille Catnap: no!
[18:04] Sergei Murasaki: Already ? Speedy world
[18:04] Mariko Woodford: Can you talk a little about your New York show?
[18:05] Vivre Mai: if you have to disapear tomorow. What wd be the last thing you wd do?
[18:05] Sergei Murasaki: It’s as disordinate as possibloe -photos, Xplugs, wordplays
[18:05] Sergei Murasaki: You know, seen from afar, my path seems a little confuse
[18:05] Sergei Murasaki: but don’t be mistaken : it is
[18:05] Izutsu Firehawk: :)
[18:06] Eupalinos Ugajin: would Immemory be transformed into a website or at least adapted to the current technologies ?
[18:06] Vivre Mai: :-)
[18:06] Etoile Setsuko: We have one more question
[18:06] Mariko Woodford: How do you feel about real life business advertising in SL?
[18:06] Sergei Murasaki: Someone is working on it -but it ain’t so easy
[18:06] Sergei Murasaki: My idea is to offer, parallel to my virtual mluesm
[18:07] Pixels Sideways: :)
[18:07] Sergei Murasaki: an open spoace where people may set their own photos and texts, using my architecture
[18:07] Sergei Murasaki: and then be able to burn their own IMMEMORY
[18:07] Izutsu Firehawk: that would be fantastic
[18:07] Sergei Murasaki: work work work
[18:08] Eupalinos Ugajin: by architecture you mean themes or ?
Ajout d’Eupalinos : Je suis curieux de savoir ce que Marker entend par « architecture » dans ce cas précis. Structurer la mémoire c’est courir le risque de la vider des ses énergies ? Dans Immemory il y avait deux approches : par thème ou par index…
[18:08] Mariko Woodford: Do you have an opinion abou the advertising of RL businesses in SL?
[18:08] Sergei Murasaki: Frankly I never approched the business side of SL
[18:09] Sergei Murasaki: Alrerady I doin’t understand economy in real life, so here…
[18:09] Sergei Murasaki: All I k,now is thet a Chinese woman became billionaire, starting in SL
[18:09] Mariko Woodford: Last question: Did you have any input into the design of the museum?
[18:10] Pixels Sideways: and antoher cinese artists sold a sl sim artwork for 150K to an art collector ;)
[18:10] Sergei Murasaki: We discussed a lot with Max, but the oomph of the final thing is entirely his
[18:10] Mariko Woodford: Is it really going to close? and when?
[18:11] Sergei Murasaki: We found a sponsor to prolounge six months, then I dunno
Ajout d’Eupalinos : Se renseigner davantage : hormis la location de la sim de l’Ouvroir ne doit pas être excessif, il y a sans doute d’autres frais ?
[18:11] Pixels Sideways: Sl is very transietn — sims come an dgo, new ones evlove — are you intersted in doing projects in SL with other art groups?
[18:11] Sergei Murasaki: But things that are birn are due to end, aren’t they ?
[18:11] Sergei Murasaki: born
[18:11] Vivre Mai: :-)
[18:11] Chiyushi Himanez: on that note– shall we have our drink?
[18:11] Vivre Mai: sadly
[18:12] Eupalinos Ugajin: We know you follow politics very closely but do you also follow the current ecological destruction of the planet ?
[18:12] Martini w/ Olive whispers: Cheers!
[18:12] Sergei Murasaki: let’s frink to the good people at Harcard
[18:12] Martini w/ Olive whispers: Cheers!
[18:12] Star Champagne Flute : The French say drinking champagne is like drinking stars, Izutsu Firehawk!
[18:12] Mariko Woodford: Cheers!
[18:12] Mariko Woodford: Thank you, Sergei
[18:12] Izutsu Firehawk: anyone for champagne?
[18:12] Martini w/ Olive whispers: Cheers!
[18:12] Chiyushi Himanez: thank you sergei– for everything
[18:12] Etoile Setsuko: Thank you! They are sending their best back to you!
[18:12] Chiyushi Himanez: this has been great!
[18:13] Sergei Murasaki: Na zdaroviye
[18:13] kino Svoboda: QUE VIVA MARKER!!
[18:13] Eupalinos Ugajin: kou !
[18:13] Pixels Sideways: TY for sharing your time . :)
[18:13] Chiyushi Himanez: oyasumi nasai!
[18:13] Izutsu Firehawk: banzai!
[18:13] Sergei Murasaki: Curtain ?
[18:13] Chiyushi Himanez: yes! thank you again!!! and bonne nuit!
[18:13] Vivre Mai: spasibo!!!
[18:13] Mariko Woodford: Good night Sergei
[18:13] Eupalinos Ugajin: bonne nuit
[18:14] Mariko Woodford: Thanks again
[18:14] Izutsu Firehawk: thank you to the organisers
[18:14] Mariko Woodford: Good night SL-ers!
[18:14] Izutsu Firehawk: for a fantastic event
[18:14] Pixels Sideways: Great presentation. Thank you. Ciao everyone — enjoy!
+ ?
Un pepelatz s’est posé dans L’Ouvroir…
La Jetée Bar + « Ouvroir » the Movie + Japon (avril 2010)
et je dirai meme plus: koo
Merci.
And also for the music.
x
D